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MAX BLUMENTHAL Printer Friendly Page
Mad Max: An Inherited Genetic Disorder Returns
By David Horowitz
March 8, 2007

The Liberal Supporters of Max Blumenthal and the Campaign to Delegitimize Israel
By Ron Radosh
December 6, 2013

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  • Far-left journalist
  • Routinely vilifies people as racists without evidence



Son of former Bill Clinton aide Sidney Blumenthal, Max Blumenthal was born in 1977. He received his B.A. in history from the University of Pennsylvania in 1999. He currently works as a Puffin Foundation writing fellow at the Nation Institute, which is funded, in part, by George SorosOpen Society Institute. He is also a Research Fellow for Media Matters for America. Blumenthal is a regular contributor to The Nation and continues to publish in a number of liberal and leftist journals and magazines, most prominent among them, The Daily Beast, the American Prospect, Salon.com, the Washington Monthly, Alternet, and the Huffington Post. His first book, Republican Gomorrah: Inside the Movement that Shattered the Party (2009), was published by Nation Books.

Much like his father who developed a reputation for mercilessly smearing opponents, Blumenthal is known as a character assassin who accuses prominent conservatives of racism. In 2005, Blumenthal argued that Bill Bennett, an esteemed conservative intellectual, had “confirm[ed] his reputation as a racist” in a television appearance on Hannity and Colmes. On that show, Bennett championed his wife’s inner-city abstinence-promotion program, “Best Friends,” saying: “She has done more for inner-city black girls than the entire Black Caucus. So I will not bow my head to any of these people.” For Blumenthal, Bennett’s use of the phrase “these people” to reference his critics in the Black Caucus makes him “a racist at the helm of a movement galvanized by its resentment of minority aspirations.”

In June of 2005, Blumenthal used similar tactics to smear Fox News' Sean Hannity. In an article titled “Hannity’s Soul-Mate of Hate,” published in The Nation, Blumenthal attempted to align the conservative media star with Hal Turner, an extremist known for racism. Blumenthal’s charge, however, was not based upon any evidence; rather, he cited a number of alleged 1998 phone-ins that a then-unknown Turner had made to Hannity’s radio show on WABC. (Hannity’s program received hundreds of calls from the public during that period). With this, Blumenthal maintained that Hannity “recognized his audience’s thirst for red meat, racist rhetoric,” but amended his ways as soon as he had achieved national prominence on Fox News. Blumenthal’s smear of Hannity has since been disseminated by scores of left-wing websites and blogs.

Blumenthal also characterizes opponents of the open-borders immigration lobby as racists. In an interview with Amy Goodman, he declared that such people "come from the white nationalist movement, a movement that seeks to maintain what they consider the white character of the United States.”

In 2007 Blumenthal released “CPAC 2007: The Unauthorized Documentary,” which he filmed at the annual Conservative Political Action Conference in Washington, DC.  In this production, Blumenthal repeatedly endeavored to inject the issue of race into the “crisis” at the heart of conservatism. At first, he trained his video camera on prominent conservative personality Michelle Malkin and unsuccessfully solicited her autograph on a picture of a World War II internment camp. Filming then-Representative Tom Tancredo’s speech on the problem of illegal immigration, Blumenthal next tried to catch Tancredo supporters articulating racist statements. Conversing with one unnamed attendee,  Blumenthal posed a leading rhetorical question that included the phrase, “we need to preserve white culture,” for which he was immediately rebuked. He concluded his documentary with a personal attack on Ann Coulter in front of an audience after her CPAC address: “As a proponent of the sanctity of marriage, can you explain why you’ve had three broken engagements and never been married?”

Blumenthal’s efforts to smear public figures on the right with the charge of racism have even extended into the entertainment world. In 2008, he claimed that country music star Toby Keith's song “Water for My Horses,” which is about the Old West, is “a racially tinged, explicitly pro-lynching anthem.” Blumenthal went on to associate Keith’s grandfather with “an institutional method of terror employed against blacks to maintain white supremacy.” Keith later dismissed Blumenthal’s condemnations: “The song was a hit and the words ‘lynch’ and ‘racism’ [have] never come up until this moron wrote this blog.”

Bumenthal's 2009 book, Republican Gomorrah, attempted to demonstrate how the Republican Party has fallen into the hands of right-wing radicals who seek to impose a “theocratic utopia” on American culture. The author asserted that “sadomasochism defines the essential character […] of the Republican follower of today.”

In 2010, after years of attending conservative conferences, rallies and demonstrations, Blumenthal met with strong resistance to his smear tactics. Early in the year, he alleged that James O’Keefe, the young reporter who had exposed ACORN with incriminating videotape, was a racist. Then, at the 2010 CPAC conference, Andrew Breitbart and Larry O’Connor confronted Blumenthal about trying to destroy a young man’s reputation with unfounded claims.

In May 2010, Blumenthal continued to target conservatives as racists in the IFC documentary “Fear.” Billed as “an expose of the behind-the-scenes fear and hate-mongering carried out by the GOP and Fox News for political purposes,” the film alleges that the Tea Party movement was not a spontaneous grassroots phenomenon, but a conspiracy by conservatives to provoke “a fearful rebellion, hoping it might topple a President and swing the 2010 midterm elections.”

 

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