Columbia’s
Anti-Israel Film Festival
By DiscoverTheNetwork
May 2004
From January 24 to 27, 2003, the
Columbia University Department of Middle East and Asian Languages and Cultures
(MEALAC) hosted an anti-Israel / pro-Palestinian film festival entitled “Dreams
of a Nation.” Open to students and the general public alike, the festival
featured 35 films directed by Palestinians, shown in their original language
with English subtitles. Both the opening- and closing-night festivities were
sold out several days in advance, and most other screenings were similarly
filled to capacity by the time the films began.
The organizers of this festival
reject the notion that Israel has any legitimate right to exist, as evidenced
by the event’s official poster, which depicts the entirety of Israel,
including the officially recognized 1948 areas, as “Palestine.” Reflecting this
rejectionist attitude, three of the festival films – “Haifa,” “Chronicle of a
Disappearance,” and “Blanche’s Homeland” – openly oppose Israel’s right to
exist, and advocate Arab migration to “Zionist-controlled territory.” The film
“Milky Way” lauds the Arab “struggle” against the Israeli government. And the
film “Jenin, Jenin” depicts as a real event the alleged Jenin massacre of April
2002, the accounts of which UN reports demonstrated were fabrications.
The festival’s keynote speech
was delivered by Columbia professor Edward
Said (who passed away eight months later). One of academia’s most
influential radical theorists, Said was once a member of the Palestinian
National Council, from which he broke away in 1991 – in protest to the Oslo
accords, and to what he deemed Yasser
Arafat’s unduly moderate stance. In July 2000, Said was photographed
throwing rocks over the Lebanese border into Israel, trying to hit Israelis on
the other side. In March 2002 he wrote, “Palestinian hospitals, schools, refugee camps and civilian
residences have been at the receiving end of a merciless, criminal assault by
Israeli troops . . . and still the poorly armed resistance fighters take on
this preposterously more powerful force undaunted and unyielding.” He described the conflict as a case of “one state turning all its great power against a stateless,
repeatedly refugeed, and dispossessed people, bereft of arms and real
leadership.” “Israel,”
he said, “is now waging a war
against civilians, pure and simple, although you will never hear it put that
way in the U.S. This is a racist war,
and in its strategy and tactics, a colonial one as well. People are being killed
and made to suffer disproportionately because they are not Jews. What an irony!”
The
film festival also featured panel discussions, among whose participants was
Professor Hamid
Dabashi, chair of Columbia's MELEAC department. Dabashi likens U.S. Defense
Secretary Donald Rumsfeld to Attila the Hun as “a destroyer of
civilization” for his role in the Iraq
war. In October 2003, shortly after the death of Edward Said, Dabashi
eulogized the late professor, writing, “We were all like birds flying around
the generosity of his roof, tiny dandelions joyous in the shade of his
backyard, minuscule creatures pasturing on the bounteous slopes of the mountain
that he was. The prince of our cause, the mighty warrior, the Salah al-Din of
our reasoning with mad adversaries, source of our sanity in despair, solace in
our sorrow, hope in our own humanity, is now no more.”
Another
panel member was the MELEAC department’s Joseph
Massad. In his panel remarks, Massad, who who regularly analogizes Israel
and Nazi Germany, likened Israeli Prime Minister Ariel Sharon to Nazi Minister
of Propaganda Joseph Goebbels. Two-and-a-half months later, in the April 10
edition of the Egyptian publication Al-Ahram Weekly, Massad
suggested that Israel is “a racist state” whose policy of “indiscriminate
violence and terror” includes the “kill[ing] and bomb[ing of] anyone who stands
in its way of protecting its right to discriminate on racial grounds.”